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Beginning of a new year brings the apprehension
of many writers. What's gonna happen this year, will I work, will I end
up on the street and a hundred other things that can happen to those who don't have a regular job. I look for work every day, that's the difference between me and the people who drive to work every day.
And then there's the jinx, or bad luck.
It's bad luck to count on projects that might never happen. A lot of writers won't even tell you they might have a job for fear of it going away. But it seems they go away anyways. So I'm going to tell you what is lurking out there for me.
Putting aside my screenwriting book which will be published in a few weeks and continuing to fund Ghostkeeper 2, there were three different projects that might be good.
First, someone is reading my submarine screenplay. It's been optioned a few times but never made. Secondly there's the potential of a sequel to my Christmas movie which I felt was always there. And thirdly there is a strong chance that my lost airplane screenplay might get made.When I say, maybe, might, could etc, it means someone at this very moment is reading and/or deciding if they can make the movie. Soon!!
As I mentioned at the beginning, many writers won't say what they're doing, nor that they have people looking at their material. I have a habit of openly answering that question if anyone asks.
In September of 2016, I signed a contract for Chaser, the movie that was optioned by a French company and whom will make the film hopefully. Not bad for an old guy.
As far as the potential for the other three screenplays, nobody knows. I often start off with a handful of projects that slip away by June.
How does anyone manage to live with those odds, mostly against me?
It's freelancing. Never a guarantee that anything of mine will be sold let alone read and optioned.
I worked in an office once and lasted less than 3 weeks.
But I'm not entirely alone on these projects I mention; in fact each of them came from a producer who would like to see the movie get made mostly because they also need a job. Like my friend says, what you need in this business is a guy with quarters and a rolodex. This is the old style of agents as well as writers who keep looking for that "someone" will say they want to see you work.
True, that's analog thinking, but substitute the quarters for a smartphone which also now doubles as a rolodex and voila... someone as hungry or hungrier than me.
So don't worry about me, I'm not alone in my quest to sell my screenplays. I have around 39 screenplays on the shelf (or is it the "hard drive).
And the rest of the year to sell at least one. Or two. Or maybe even three. I have a director trying to get producers to make another screenplay. He's been after it for at least 8 years.
And then there's the jinx, or bad luck.
It's bad luck to count on projects that might never happen. A lot of writers won't even tell you they might have a job for fear of it going away. But it seems they go away anyways. So I'm going to tell you what is lurking out there for me.
Putting aside my screenwriting book which will be published in a few weeks and continuing to fund Ghostkeeper 2, there were three different projects that might be good.
First, someone is reading my submarine screenplay. It's been optioned a few times but never made. Secondly there's the potential of a sequel to my Christmas movie which I felt was always there. And thirdly there is a strong chance that my lost airplane screenplay might get made.When I say, maybe, might, could etc, it means someone at this very moment is reading and/or deciding if they can make the movie. Soon!!
As I mentioned at the beginning, many writers won't say what they're doing, nor that they have people looking at their material. I have a habit of openly answering that question if anyone asks.
In September of 2016, I signed a contract for Chaser, the movie that was optioned by a French company and whom will make the film hopefully. Not bad for an old guy.
As far as the potential for the other three screenplays, nobody knows. I often start off with a handful of projects that slip away by June.
How does anyone manage to live with those odds, mostly against me?
It's freelancing. Never a guarantee that anything of mine will be sold let alone read and optioned.
I worked in an office once and lasted less than 3 weeks.
But I'm not entirely alone on these projects I mention; in fact each of them came from a producer who would like to see the movie get made mostly because they also need a job. Like my friend says, what you need in this business is a guy with quarters and a rolodex. This is the old style of agents as well as writers who keep looking for that "someone" will say they want to see you work.
True, that's analog thinking, but substitute the quarters for a smartphone which also now doubles as a rolodex and voila... someone as hungry or hungrier than me.
So don't worry about me, I'm not alone in my quest to sell my screenplays. I have around 39 screenplays on the shelf (or is it the "hard drive).
And the rest of the year to sell at least one. Or two. Or maybe even three. I have a director trying to get producers to make another screenplay. He's been after it for at least 8 years.
And nothing is happening.
And I finished my new script, which I think is not bad.
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