Travel Day made the top 50 movie blogs in 2010's MovieMaker magazine survey. It now has readers in the US, Canada, Great Britain, Ukraine, Russia, France, India, Moldova and Romania. Thanks to all of you for hanging with us.
This blog started in 2009 as a real-time journal of the making of an independent feature film entitled Travel Day, but the project fell through but was optioned last year. So I kept on writing and now up to 2017.
A lot has changed in all those years and I continue to keep it fresh and also with something that is more than gossip.
One of the best blogs was when I worked on a TV series blog entitled "Living in Heaven, Working in Hell" about a TV series that was a disaster. I brought it up to date in 2017.
I'm going to get more into the work of writing in these days and how they change and how they don't.
And mostly have some of you find little things that may be of interest to you. And me.
I will regularly post new blogs on Mondays and sometimes Fridays.
"Reading your blog on indie films makes me want to make one"
"Nice balance between business and artistic sense"
"Don't usually read blogs, I took the time, interesting, you're willing to go out on a limb"
"I'm on the verge of tears after reading that, Jim"
"You brought us into the passenger van, we're there"
Best blogs by readership
The Writer/Producer, the Director & the Big Breakup
An angel appears
Where are we now?
Friday, February 6, 2015
Thrill is gone even more
Continuing on the last blog, when the magic was gone from the movies, what would become of the movies we boomers loved so much.
It changed from magic to sarcasm.
I noticed this about ten years ago, which coincidentally was a bad year for TV movies, of which I made about twenty of them. There was even a party at the Roosevelt Hotel (where the first Oscars were presented in 1929) which we called "The Death of the TV Movie" party.
And if you want to know why it died, it was because of a little-known TV show called Survival.
You know, that island thing that has been on forever it seems. And inspired stuff like The Housewives of Orange County, Ice Road Truckers etc...etc...etc.
This was the beginning of the GenX'ers and Millennials who listened to their parents praise movies like Easy Rider, The Graduate, Bonnie & Clyde, French Connection, The Godfather, Jaws, One Flew Over The Cuckoo's Nest, Rocky (the 1st one!), Raiders of The Ark, Star Wars, Ferris Bueller's Day Off and at least a few hundred more.
And except for Star Wars, none of the movies above required CGI (Computer Graphic Image). They had real people. But real people began to fall away and instead, images of people performed impossible things, take Spiderman, for example.
Movies became more about the making of them, not about the stories.
For example, this year I really wasn't excited by any of the movies. The Imitation Game is good but really an HBO movie, same as The Theory of Everything. Selma is the same and the others I didn't really care. I didn't want to sit to almost three hours of Boyhood.
As I mentioned before, I did like Jake Gyllenhaal's Nightcrawlers and I think Angelina Jolie deserves at least a nomination for Unbroken, far more interesting than American Sniper.
So why am I so down on the 21st century list? There's no more really good character movies, nor really any adventure movies. Maybe it's because everything has to be either a $200 million movie or a $200 thousand movie. The trouble with both is that the directors, many of them commercial directors, often can't make a film longer than 30 seconds.
And the others are film school graduates who don't seem to have stories except for that classic "boy returns to home town to find girl he loved/wanted to love/wants to kill or doesn't know what they want" genre. The big problem for me is that they don't have any stories, real stories with real characters. Of course that's because I'm a boomer. So where do we go? I think that, already millennials are probably re-editing movies on their smart phones rather than look for good stories.
So what now? You missed the magic, and the feeling that comes with it, the kind of feeling that you would never forget. CGI can't beat Annie Hall or Chinatown, or Deliverance.
the only thing I have to say, Jim, is that some of those movies I loved like Annie Hall, Who's Afraid of Virginia Woolf or even On the Waterfront - would be called HBO movies these days. Maybe HBO should be what we aspire to?
the only thing I have to say, Jim, is that some of those movies I loved like Annie Hall, Who's Afraid of Virginia Woolf or even On the Waterfront - would be called HBO movies these days. Maybe HBO should be what we aspire to?
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